Matthea Harvey, in her Poetry Foundation interview with Jeannine Hall Gailey, pretty much summed up why I love working on Inch:

When something is tiny, maybe the little arrows of heartbreak penetrate more easily—slip in through a tear duct or a pore.

Harvey has always seemed the poetic equivalent of Matthew Barney– you can see the mechanical and pop-cultural influences roiling beneath the surface but the finished product is an otherwordly beauty that cannot be captured simply in (or on) those terms.